April-June, 2025

Angel Band, alto (1 and 2), up tempo

Angel Band, alto (1 and 2)

Angel Band, altos w.2nd sop, up tempo

Angel Band, altos w.2nd sop

The Battle of Jericho, Alto 1

The Battle of Jericho, Alto 2

Bright Morning Stars (right before we come in)

Note about Deep River, Alto 1 recording. On the word “promised” (in “that promised land”), measure 13, the alto 1 line stays on the C. (The recording includes going to a G for an eighth note, but that’s the alto 2 line.)

Deep River, Alto 1

Deep River, Alto 2

In the recording below of Down in the River, I purposefully sing, “dah” instead of “down” (sometimes closing to the “n”), just so we get used to the “ah” vowel instead of a diphthong.

NOTE added on 5/5/2025: This was re-recorded to reflect the change Deeji made on 5/1—on the first two verses, trebles sing, “Oh, sisters/brothers, let’s go dah” and stay on the halftone G on “dah” instead of the moving notes from G to E.

Dah in the River

2025 Hark I Hear the Harps Eternal, Alto 1

2025 Hark, I Hear the Harp’s Eternal, Alto 2

Hark I Hear, full choir

Hark I Hear, Alto 2 (from 2018 or so)

Hark I Hear, alto line on piano

I'm Going Home

My God is a Rock, Alto 1

My God is a Rock, Alto 2

In the North Port recordings, especially the one for altos singing the alto part from verse 3, I pronounce the first syllable of “hallelujah” as both “hah" (as in hallway) and “Hal”. I don’t know why. Don’t copy me. Keep it “hah” (as in hallway).

North Port, altos (singing tenor line)

North Port, altos (singing alto part from verse 3)

On My Journey Home, Alto 1

On My Journey Home, Alto 2

Weeping Mary, choir 1 altos with claps

Weeping Mary, choir 1 alto 1

Weeping Mary, choir 1 alto 2

Weeping Mary, choir 2 alto with claps

Weeping Mary, choir 2 alto

Weeping Mary, choir 3 alto with claps

Weeping Mary, choir 3 alto

Weeping Mary, choir 3 alto taking lowest notes

Will the Circle Be Unbroken